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Friday, May 1, 2020 | History

1 edition of Shakespeare"s stationers found in the catalog.

Shakespeare"s stationers

Marta Straznicky

Shakespeare"s stationers

studies in cultural bibliography

by Marta Straznicky

  • 388 Want to read
  • 38 Currently reading

Published by University of Pennsylvania Press in Philadelphia .
Written in English

    Subjects:
  • Drama,
  • Bibliography,
  • Publishing,
  • Canon (Literature),
  • Transmission of texts,
  • History

  • Edition Notes

    Includes bibliographical references and index.

    Statementedited by Marta Straznicky
    SeriesMaterial texts, Material texts
    Classifications
    LC ClassificationsZ8811 .S56 2013
    The Physical Object
    Paginationp. cm.
    ID Numbers
    Open LibraryOL25299857M
    ISBN 109780812244540
    LC Control Number2012016198


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Shakespeare"s stationers by Marta Straznicky Download PDF EPUB FB2

Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Shakespeares stationers book shifts Shakespearean textual scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's texts.

This seminal collection is the first to explore the multiple and intersecting forms of agency exercised by Shakespeare's stationers in the design. Shakespeare's Stationers explores how the trade in books affected the interpretation of Shakespeare by early modern printers, publishers, and booksellers and how their interpretations in turn shaped Shakespeare into the "great Variety" of print commodities he would become in his first fifty years as a published author.

Emma Depledge is lecturer in Restoration and Shakespeares stationers book literature at the Shakespeares stationers book de Fribourg, Switzerland. She has published a number of articles on Shakespeare in the Restoration Shakespeares stationers book her first book explores the publication, performance and adaptation of Shakespeare's plays from Author: Peter Kirwan.

Shakespeare's sonnets are poems in sonnet form written by William Shakespeare, dealing with themes such as the passage of time, love, beauty and mortality.

All but two of Shakespeares stationers book poems were first published in a quarto entitled SHAKE-SPEARES SONNETS.: Never /5(). This Shakespeare was invented in large part by the stationers—publishers, printers, and booksellers—who produced and distributed his texts in the form of books.

Shakespeares stationers book Yet Shakespeare's stationers Shakespeares stationers book not received sustained critical by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean textual scholarship toward a new Shakespeares stationers book on the earliest publishers and booksellers of Shakespeare's.

The Rape of Lucrece was entered into the Stationers' Register on 9 Mayand published later that Shakespeares stationers book, in a quarto printed by Richard Field for the bookseller John Harrison ("the Elder"); Harrison sold the book from his shop at the sign of the White Greyhound in St.

Paul's Churchyard/5(27). Shakespeare Documented features all primary sources that document the life and career of William Shakespeare. It has images, descriptions, and transcriptions of manuscripts and printed works. Fragments of a Stationer's Account Book, [] Date: August Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's Shakespeares stationers book as a Shakespeares stationers book phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence.

– was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare.

Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean Shakespeares stationers book scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's Shakespeares stationers book.

This seminal collection is the first to explore the multiple and intersecting forms of agency exercised by Shakespeare's stationers Cited by:   Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence.

&#; was the period in which Shakespeare's canon was determined, in which Author: Emma Depledge. A prompt-book was a transcript of the play used during performances, cluttered with stage directions, instructions for sound effects, and the names of the actors. If a play was printed for a reading audience, it was often without the author's consent.

XVIII. The Book-Trade, – § Pirates; The Shakespeare Stationers. It would appear that the dramatist was especially exposed to Shakespeares stationers book predatory habits of the piratical publisher. The playhouse authorities, believing that the circulation of a play in print was likely to detract from its financial success on the stage, gave no.

T he title of this volume, Shakespeare's Stationers: Studies in Cultural Bibliography, invites controversy and promotes discussion in equal exactly does a relatively slim volume expect to treat in any detail the notion of ‘cultural bibliography’. Do we really need additional analysis of Shakespeare's works, already discussed in detail by a long chain of bibliographers and book Author: Natalie Aldred.

The primary source of Shakespeare’s sonnets is a quarto published in titled Shake-speare’s Sonnets. It contains sonnets, which are followed by the long poem " A Lover's Complaint ". Thirteen copies of the quarto have survived in fairly good shape from the edition, which is the only edition; there were no other : William Shakespeare.

The Stationers’ Register was a record book maintained by the Stationers' Company of London. The company is a trade guild given a royal charter in to regulate the various professions associated with the publishing industry, including printers, bookbinders, booksellers, and publishers in y: Kingdom of England.

William Shakespeare's Comedies, Histories, & Tragedies is a collection of plays by William Shakespeare, published incommonly referred to by modern scholars as the First Folio. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays, it was prepared by Shakespeare's colleagues John Heminges and Henry Condell.

It Author: William Shakespeare. Stationers' Register: Book in which the English government required printers to register the title of a play before the play was published. The full official name of the Stationers' Register was the Hall Book of the Worshipful Company of Stationers.

The Winter's Tale is a play by William Shakespeare originally published in the First Folio of Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late romances. This Shakespeare was invented in large part by the stationers—publishers, printers, and booksellers—who produced and distributed his texts in the form of books.

Yet Shakespeare's stationers have not received sustained critical by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Author: Marta Straznicky. Shakespeare and the stationers. Columbus, Ohio State University Press, (OCoLC) Named Person: William Shakespeare; William Shakespeare: Document Type: Book: All Authors / Contributors: Leo Kirschbaum.

Shakespeare's Stationers Marta Straznicky Published by University of Pennsylvania Press Straznicky, Marta. Shakespeare's Stationers: Studies in Cultural by:   In this study, Lukas Erne argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page.

The usual distinction that has been set up between Ben Jonson on the one hand, carefully preparing his manuscripts for publication, and Shakespeare the man of 4/5(2).

Ona publisher named Thomas Thorpe entered a book entitled "Shakespeare's sonnettes" into Liber C of the Stationers' Company.

He published the first quarto edition of these famous poems, printed by George Eld, later in This is one of five times Shakespeare's name appears in the Stationers' Register.

The Rape of Lucrece was entered into the Stationers' Register on 9 Mayand published later that year, in a quarto printed by Richard Field for the bookseller John Harrison ("the Elder"); Harrison sold the book from his shop at the sign of the /5(27).

Yet Shakespeare's stationers have not received sustained critical attention. Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean textual scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's texts.

This seminal collection is the first to explore the. This book was published inforty five years after the Quarto of the sonnets. But it has the charm of containing many items supposedly written in Shakespeare's day.

The styles of printing are much the same as they were inand the extracts below give a good idea of printing of the period.

Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades.

Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Manufacturer: Cambridge University Press. The Merchant of Venice is a 16th-century play written by William Shakespeare in which a merchant in Venice named Antonio defaults on a large loan provided by a Jewish moneylender, is believed to have been written between and Although classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic Place premiered: Court of King James.

For more information on this scheme, see sonnets. Shakespeare also wrote parts of his plays with rhyming lines.) To understand iambic pentameter, you first need to understand the term ''iamb.'' An iamb is a unit of rhythm consisting of an unstressed syllable followed by.

COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle.

Arthur F. Marotti, "Shakespeare's Sonnets and the Manuscript Circulation of Texts in Early Modern England," in A Companion to Shakespeare's Sonnets, ed. Michael Schoenfeldt, (Malden and Oxford: Blackwell, ): – Francis Meres. Palladis Tamia (London: P. Short for C.

Burbie, ). Early English Books Online, STC (2d edn.) This Shakespeare was invented in large part by the stationers -- publishers, printers, and booksellers -- who produced and distributed his texts in the form of books.

Yet Shakespeare's stationers have not received sustained critical attention. In contrast to copyright laws that came later, the relevant legislation governing and granting powers to the Stationers’ protected the owner of a book rather than the author of a text; for example, the Licensing Act prohibited ‘the printing of any book unless first licensed and entered in the register of the Stationers’ Company, and Author: Barbara Annabelle Casey Lauriat.

Shakespeare Documented features all primary sources that document the life and career of William Shakespeare. It has images, descriptions, and transcriptions of manuscripts and printed works. Stationers' Register entry for the transfer of Hamlet, The Taming of the Shrew, Romeo and Juliet, Love's Labor's Lost, and twelve other books in   The book, a thin quarto volume, contained a thirty-word dedication by Thorpe, alias "T.T." — not Shakespeare — sonnets, and a long poem, "A Lover's Complaint," that has never been.

Get this from a library. Canonising Shakespeare: stationers and the book trade, [Emma Depledge; Peter Kirwan; Shakespeare Association of America.

Annual Meeting;] -- "Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in. (Mb) Creators: Kirschbaum, Leo, Subjects (LCSH): Shakespeare, William, -- Bibliography -- Quartos Stationers' Company (London, England) Publishers and publishing -- Great Britain Books -- Pirated editions.

Issue Date: Metadata Show full item record Cited by: First Folio The First Folio, the first published edition () of the collected works of William Shakespeare; it was originally titled Mr. William Shakespeares Comedies, Histories & Tragedies.

The Newberry Library, Louis H. Silver Collection, (A Britannica Publishing Partner)The publication of drama in the early 17th century was usually left to the poorer members of the Stationers.

The Shakespeare authorship question is the argument that someone other than William Shakespeare of Stratford-upon-Avon wrote the works attributed to him. Anti-Stratfordians—a collective term for adherents of the various alternative-authorship theories—believe that Shakespeare of Stratford was a front to shield the identity of the real author or authors, who.

Get this from a library. Canonising Shakespeare: stationers and the book trade, [Emma Depledge; Peter Kirwan;] -- This book demonstrates how the book trade of canonised Shakespeare by selling, editing and promoting his plays and poems.

Folio simply refers to the pdf sheets were folded and arranged into a book. Several of Shakespeare’s plays pdf been published previously in quarto form (a different way of folding and arranging a book which resulted in eight pages of text.) is a lost work which the Stationers’ Registry in recorded as Marilee.

"Plays By Genre.Venus and Adonis was the first of Shakespeare's works to download pdf entered into the Stationers' Register and to be printed. It was originally entered into Liber B on Apby Richard Field. Bythe rights to publish had been transferred to two other publishers (John Harrison the Elder in and William Leake in ), and the poem printed ten times.Holger Syme presents a radically new explanation for the ebook importance in Shakespeare's time.

He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to Cited by: 3.